The pastels of Giuseppe De Nittis: insights into specialised commercially pre-primed canvases in late nineteenth-century France
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OpenAlex topics: Cultural Heritage Materials Analysis · Art History and Market Analysis · Historical Architecture and Urbanism
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References (29)
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1. R. Miracco, Giuseppe De Nittis. La donazione di Léontine Gruvelle De Nittis. Catalogo generale, Rome 2023.
2. J. Claretie, L’art et les artistes françoises contemporains, Paris 1876, 415.
3. Les pastels de M. De nittis au cercle de l’Union Artistique
4. Giuseppe De Nittis and the “modern manner”: choices and uses of painting supports from the art markets of late-nineteenth century Europe
5. R. Freeman, C. Conniff-O'Shea, D. Johnson, Édouard Manet's pastels on canvas, The Book & Paper Group annual, 2018, 31–40.
6. J.G. Vibert, La science de la peinture, Paris 1891.
7. Lefranc & Cie, Fabrique de couleurs & vernis. Fine colours and materials for oil painting, watercolour, gouache, pastel, drawing, miniature photography, varnish painting, Factory in Issy-Sur-Seine, Lefranc & Cie, Paris 1892. Available at: https://library.nga.gov/discovery/fulldisplay?docid=alma992317383504896&context=L&vid=01NGA_INST:NGA&lang=en&search_scope=MainLibrary&adaptor=Local%20Search%20Engine&tab=MainLibrary&query=any,contains,lefranc&offset=0.
8. P. Labreuche, Paris, capitale de la toile à peindre, Paris: CTHS—INHA 2011, 256–261.
9. Guardare ma non toccare”. Il Pastello bianco di Giovanni Boldini. Tecnica esecutiva e restauro di un pastello su tela
10. Study of a pre-primed canvas bundle from the Binant color merchant
11. Beflockte textile bildträdger für die Pastellmalerei
12. K. Segel and Mikkel Scharff, Flocked canvases: a special fabric for pastel paintings, in Joyce H. Townsend, Tiarna Doherty, Gunnar Heydenreich and Jacqueline Ridge (eds), Preparation For Painting: The Artist's Choice and Its Consequences, London 2008, 141–146.
13. Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments10.1007/s00339-011-6708-2 ↗
14. Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks10.1016/j.microc.2015.08.019 ↗
15. FTIR analysis of cellulose treated with sodium hydroxide and carbon dioxide
16. Carbon fibres from cellulosic precursors: a review10.1007/s10853-011-6081-8 ↗
17. Pigment-binder interactions in calcium-based tempera paints10.1016/j.dyepig.2017.09.013 ↗
18. Mechanistic deterioration by saponification of a 17th-century oil painting from the Museum of Modern Art in Cairo10.21608/shedet.2024.362742 ↗
19. Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums10.1016/j.talanta.2006.03.007 ↗
20. Micro-analytical study of interactions between oil and lead compounds in paintings10.1007/s00339-007-4213-4 ↗
21. Non-invasive detection of lead carboxylates in oil paintings by in situ infrared spectroscopy: how far can we go?10.1016/j.saa.2023.122962 ↗
22. 4 - Techniques for characterizing lignin
23. Examination of cellulose textile fibres in historical objects by micro-raman spectroscopy10.1016/j.saa.2010.12.006 ↗
24. D. Bomford, J. Kirby, J. Leighton, A. Roy, Art in the making. Impressionism, London 1990, 47–50.
25. Absorbent grounds and the matt aesthetic in Post-Impressionist painting10.1179/sic.1998.43.Supplement-1.235 ↗
26. C.A. Le Pileur d’Apligny, Traité des couleurs matérielles, et de la manière de colorer, rélativement aux différens arts & métiers, Paris, 1779, 58–59. The author attributes the invention to the well-known German pastel artist Johann Friedrich Reifenstein.
27. J.N. Paillot de Montabert, Traité complet de la peinture, vol. IX, Paris 1829, 509.
28. Goupil · 1886 · 14
29. L. Carlyle, The artist's assistant: oil painting instruction manuals and handbooks in Britain, 1800-1900, with reference to selected eighteenth-century, London 2001, 174.