Koffka Ring Perception in Digital Environments with Brightness Modulation
Source abstract
Abstract
Various parameters and observation conditions contribute to the emergence of color. This phenomenon poses a challenge in modern visual communication systems, which are continuously being enhanced through new insights gained from research into specific psychophysical effects. One such effect is the psychophysical phenomenon of simultaneous contrast. Nearly 90 years ago, Kurt Koffka described one of the earliest illusions related to simultaneous contrast. This study examined the perception of gray tone variations in the Koffka ring against different background color combinations (red, blue, green) displayed on a computer screen. The intensity of the effect was measured using lightness difference ΔL00 across light-, medium-, and dark-gray tones. The results were analyzed using descriptive statistics, while statistically significant differences were determined using the Friedman ANOVA and post hoc Wilcox tests. The strongest visual effect was observed the for dark-gray tones of the Koffka ring on blue/green and red/green backgrounds, indicating that perceptual organization and spatial parameters influence the illusion’s magnitude. The findings suggest important implications for digital media design, where understanding these effects can help avoid unintended color tone distortions caused by simultaneous contrast.
Source: crossref · Quality: baseline
Research context
OpenAlex topics: Color perception and design · Visual perception and processing mechanisms · Color Science and Applications
SciVX discovery tags are terminology-based. OpenAlex topics are source-provided classifications.
Affiliations
Faculty of Graphic Arts, University of Zagreb, Getaldićeva ulica 2, 10000 Zagreb, Croatia
Funding
University of Zagreb
References (33)
Show source-provided references
1. The Impact of Color Psychology in Graphic Design: A Comprehensive Review
2. Descriptions of visual phenomena from Aristotle to Wheatstone10.1068/p251137 ↗
3. Von Helmholtz, H. (1925). Helmholtz’s Treatise on Physiological Optics, Optical Society of America.10.1037/13536-000 ↗
4. Hering, E. (1964). Outlines of a Theory of the Light Sense, Harvard University Press.
5. Inhibition in the eye of Limulus10.1085/jgp.39.5.651 ↗
6. Cornsweet, T.N. (1970). Visual Perception, Academic Press.
7. Mechanisms underlying simultaneous brightness contrast: Early and innate10.1016/j.visres.2020.04.012 ↗
8. A model of lightness perception guided by probabilistic assumptions about lighting and reflectance10.1167/jov.20.7.28 ↗
9. A multi-channel approach to brightness coding10.1016/0042-6989(92)90212-2 ↗
10. A unified theory of brightness contrast and assimilation incorporating oriented multiscale spatial filtering and contrast normalization10.1016/j.visres.2004.05.015 ↗
11. Lightness, illumination, and gradients10.1163/156856806776923407 ↗
12. Explaining brightness illusions using spatial filtering and local response normalization10.1016/j.visres.2007.02.017 ↗
13. Regression Approach in the Evaluation of White’s Effect Magnitude in Comparison to Lightness10.31803/tg-20230615195915 ↗
14. Perceptual organization overcomes the effects of local surround in determining simultaneous lightness contrast10.1111/1467-9280.00417 ↗
15. Chevreul, E. (1839). De la loi du Contraste Simultané des Couleurs et de L’assortiment des Objets Colorés, Chez Pitois-Levrault.
16. Koffka, K. (1935). Principles of Gestalt Psychology, Routledge & Kegan Paul Ltd.
17. The intensity of the simultaneous contrast effect depending on the change of background lightness
18. Perceived differences of lightness deviation during the appearance of simultaneous contrast effect in printing process
19. The appearance of the visual effect simultaneous contrast depending on the printing substrate
20. A shift in the perception of lightness on image in digital media due to the manifestation of the simultaneous contrast effect10.1080/13682199.2019.1565394 ↗
21. A shift of the perceptual attributes of color due to the manifestation of the simultaneous contrast effect on a display10.1002/col.22506 ↗
22. Adelson, E.H. (2000). Lightness perception and lightness illusions. The New Cognitive Neurosciences, MIT press.
23. Rosotti, H. (1983). Colour: Why World Isn’t Grey, Princeton University Press.
24. Simultaneous colour constancy revisited: An analysis of viewing strategies10.1016/0042-6989(94)00318-1 ↗
25. Fairchild, M.D. (2013). Color Appearance Models, John Wiley & Sons.10.1002/9781118653128 ↗
26. Effects of surround/test field luminance ratio on induced colour10.1111/j.1467-9450.1975.tb00198.x ↗
27. Thickness and the Koffka ring effect10.1068/p6027 ↗
28. Matijevic, M., Mrvac, N., Milkovic, M., and Vusic, D. (2010). Evaluation of percepcion of red color applied to Koffka effect. DAAAM International Scientific Book 2010, DAAAM International Vienna.10.2507/daaam.scibook.2010.26 ↗
29. (2009). Graphic Technology and Photography-Viewing Conditions (Standard No. ISO 3664: 2009).
30. Qualimetric researches of educational resources: Standardizing of light conditions in the light booth10.1016/j.sbspro.2015.01.749 ↗
31. Ware, C. (2019). Information Visualization: Perception for Design, Morgan Kaufmann.
32. Viewing techniques for cross-media image comparisons10.1002/(SICI)1520-6378(199602)21:1<6::AID-COL1>3.0.CO;2-# ↗
33. Color space and its divisions10.1002/col.1018 ↗