College student perceptions about the incorporation of cultural elements in fashion design
Source abstract
Abstract
Abstract The cultural and creative industries have received considerable global attention in recent years; in particular, the close relationship between these industries and design has been identified. Because mysterious and attractive East Asian aesthetic are a crucial contemporary style, this study examined a fashion exhibition held in the New York Metropolitan Museum, which entitled “China: Through the Looking Glass” and conducted a literature review, scale design, survey and data analysis, and factor analysis about the incorporation of cultural elements in fashion design. Subsequently, the perceptions of college students with various educational backgrounds on several selected exhibits were identified and analyzed. The results were revealed that: (1) the research scale can be used as a reference for related design teaching and in the appraisal of fashion products in the design industry; (2) cultural connotations are more notable in design than the technical aspects; (3) compared with students of other backgrounds, students with a background in fashion design emphasized more on the technical and professional aspects and expressed a preference for design pieces with experimental qualities, such as those made with stiff materials and having exaggerated styles, and neutral and neat straight lines.
Source: crossref · Quality: baseline
Research context
OpenAlex topics: Fashion and Cultural Textiles · Digital Media and Visual Art · Creativity in Education and Neuroscience
SciVX discovery tags are terminology-based. OpenAlex topics are source-provided classifications.
References (28)
Show source-provided references
1. Ashby, M., & Johnson, K. (2003). The art of materials selection. Materials Today, 6(12), 24–35.10.1016/S1369-7021(03)01223-9 ↗
2. Bai, H. (2005). Metropolitan museum of New York fashion show which hurt the Chinese cultural relics how much? Retrieved 10 May 2016 from http://www.thepaper.cn/newsDetail_forward_1329929.
3. Berridge, K. C. (2003). Pleasures of the brain. Brain and Cognition, 52(1), 106–128.10.1016/S0278-2626(03)00014-9 ↗
4. Bony, A. (2008). Le design: histoire, principaux courants, grandes figures. Paris: Larousse.
5. Cao, J. X. (2011). Internationalization of Chinese clothing culture. Shandong Textile Economy, 2011(4), 5–7. (in Chinese, semantic translation).
6. Chen, W. L., & Chen, T. H. (2011). A study on the customer requirement impact factors of apparel design. Journal of Design Science, 14(1), 1–22. (in Chinese, semantic translation).
7. Chen, K. Y., & Wang, C. H. (2011). Statistical analysis of practice: Using SPSS and AMOS (2nd ed.). Taipei: Wu-Nan Book. (in Chinese, semantic translation).
8. Chiu, S. P., Tu, J. C., Chu, W. C., & Chuang, L. W. (2013). An empirical study on enhancement of fashion accomplishment for students in design departments. Journal of Cultural and Creative Industries Research, 3(1), 11–23. (in Chinese, semantic translation).
9. Fornell, C., & Larcker, D. F. (1981). Evaluating structural equation models with unobservable variables and measurement error. Journal of Marketing Research, 18(1), 39–50.10.2307/3151312 ↗
10. Gobe, M. (2009). Emotional branding. New York: Allworth Press.
11. Hsu, C. H. (2004). An application and case studies of Taiwanese aboriginal material civilization confer to cultural product design (Unpublished doctoral master’s thesis). Chang Gung University, Tao-Yuan. (in Chinese, semantic translation).
12. Hsu, Y., & Hsieh, F. Y. (2009). A study of application of forward - looking technology in Fashion life product design. Industrial Design, 121, 240–245. (in Chinese, semantic translation).
13. Huang, S. (2015). Pure oriental design trends. Retrieved 10 May 2016 from http://udn.com/news/story/6977/1045338.
14. Jung, T. S. (2011). AMOS and research methods (4th ed.). Taipei: Wu-Nan Book. (in Chinese, semantic translation).
15. Koike, C. (1992). Fashion design theory. Taipei: Art book club. (in Chinese, semantic translation).
16. Lin, C. H. (2003). A Study on the relationship between fashion style and design element—2002/3 A/W Milan women fashion styles as example. Journal of National Taiwan College of Arts, 73, 89–97. (in Chinese, semantic translation).
17. Lin, R. T. (2007). A case study of creative cultural product design from Taiwan aboriginal twin-cup. Art Appreciation, 3(2), 21–28. (in Chinese, semantic translation).
18. Lin, H. Y., Chen, Y. Y., & Hsieh, H. Y. (2012). An application of chengyu in cultural product design. Journal of Design Science, 15(2), 51–63. (in Chinese, semantic translation).
19. Nagamachi, M. (1989). Kansei Engineering: Technology to make use of sensitivity to design. JP: kaibundo. (in Chinese, semantic translation).
20. Pogrebin, R., & Trebay, G. (2015). Andrew Bolton chosen to lead the Met’s Costume Institute. Retrieved 10 July 2016 from http://www.nytimes.com/2015/09/09/arts/design/andrew-bolton-chosen-to-lead-the-mets-costume-institute.html?_r=0.
21. The Metropolitan Museum of Art. (2015). China: Through the looking glass. Retrieved 2 May 2016 from http://www.metmuseum.org/exhibitions/listings/2015/china-through-the-looking-glass.
22. Verganti, R. (2013). Design driven innovation: changing the rules of competition by radically innovating what things mean. Boston: Harvard Business Press.
23. Wu, M. L. (2007). SPSS statistics applied learning practice—analysis questionnaire and applied statistics. Taipei: Zhi Cheng. (in Chinese, semantic translation).
24. Yeh, L. C. (2006). Clothing aesthetics. Taipei: Shinning Culture. (in Chinese, semantic translation).
25. Yen, H. Y., Lin, P. H., & Lin, R. (2012). A study of value-added from qualia to business model of cultural and creative industries. Journal of National Taiwan College of Arts, 91, 127–152. (in Chinese, semantic translation).
26. Yen, H. Y., Lin, P. H., & Lin, R. (2014a). Qualia characteristics of cultural and creative products. Journal of Kansei, 2(1), 34–61. (in Chinese, semantic translation).
27. Yen, H. Y., Lin, P. H., & Lin, R. (2014b). Emotional product design and perceived brand emotion. International Journal of Advances Psycholology (IJAP), 3(2), 59–66.10.14355/ijap.2014.0302.05 ↗
28. Yen, H. Y., Lin, P. H., & Lin, R. (2015). The effect of product qualia factors on brand image-using brand love as the mediator. Bulletin of Japanese Society for the Science of Design, 62(3), 67–76.